The Term "Latin American" When Programming for Wind Band

This paper explores the term “Latin American Music” following its origins and evolution from the 20th century until now. In addition, it identifies current uses of the term in Wind Band programming and publishing trends. With a focus on Mexico, Colombia, and Argentina, it addresses how music production in these regions is bound to specific national and cultural identities. Lastly, it examines initiatives involving Latin American music and Latin American composers that are convenient resources when programming composers and music from diverse backgrounds.

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Work Title The Term "Latin American" When Programming for Wind Band
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Open Access
Creators
  1. Leila Gil
License No Copyright - U.S.
Work Type Research Paper
Publication Date 2023
Deposited April 29, 2023

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  • Added The Term _Latin American_ When Programming for Wind Band - Leila Gil.pdf
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    Publication Date
    • 2023-4
    • (2023-04-29)
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    • https://rightsstatements.org/page/NoC-US/1.0/
  • Updated Publication Date Show Changes
    Publication Date
    • (2023-04-29)
    • April 29, 2023
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    Publication Date
    • April 29, 2023
    • 2023
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Version 2
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    Description
    • Thi paper explores the term “Latin American Music” following its origins and evolution from the 20th century until now. In addition, it identifies current uses of the term in Wind Band programming and publishing trends.
    • This paper explores the term “Latin American Music” following its origins and evolution from the 20th century until now. In addition, it identifies current uses of the term in Wind Band programming and publishing trends.
    • With a focus on Mexico, Colombia, and Argentina, it addresses how music production in these regions is bound to specific national and cultural identities. Lastly, it examines initiatives involving Latin American music and Latin American composers that are convenient resources when programming composers and music from diverse backgrounds.
  • Published
  • Updated